This chapter starts from a different assumption than the previous one. The people on an accessibility committee already know a lot about accessibility, so there is no need to start from scratch. I will not explain what captions are or why documents should be accessible. Instead, here are the few things that actually come up in accessibility committee meetings, the ones worth calling out precisely because everybody in the room assumes they already know them.
Leave a CommentAuthor: Tom
I have been working in accessibility for the last 25 years. I have helped government agencies, corporations and non-profit organizations to become accessible. Over the years I taught over 20000 people about accessibility.
If you are chairing an accessibility committee, you already know how to run a meeting. You have run plenty of them, in different jobs and different rooms, and this chapter is not going to teach you the basics. Think of it instead as a roundup of what tends to work in the particular context of an accessibility committee meeting, collected from committees that worked and from ones that quietly fell apart. Most of it applies to meetings in general, and you will recognize a good deal of it from your own experience. But there are many kinds of meetings in life, and this chapter is about this one.
Leave a CommentContinuing my Philadelphia museum review, the National Constitution Center was the first one I visited during my last trip. I had arrangements with Brian Kirsch, who gave me a wonderful tour.
Leave a CommentMost likely your first meeting will be rather informal, but this is the time to establish that you mean serious business, there will be an agenda, and expectations however little it would be.
Leave a CommentAlright, let’s get the accessibility committee going. We can talk so much more about structure, funding, lifecycle, challenges, etc. But before you get bored reading about the details, let’s get one going, and we can talk more about details later.
Leave a CommentYesterday I attended an art exhibit done by the Clovernook Center for the Blind and Visually Impaired that was so special to me. The exhibit is called Tactile Revolution, where people are invited to touch different tactile designs, braille and 3D models.
The reason why I was there is because many of the objects, about more than two dozens which are exhibited were done by my company.

Showing faces to blind people has been a challenge I have been trying to research and resolve for many years. When a face is transferred into a 2D or a 3D form and features are made so that the are enjoyable through a tactile experience, a lot is lost that is still available when looking at a live human, or a photo.
While there are many tactile representations of people, there is much less information about how recognizable those pictures, statues or 3D replicas are.
1 CommentI just returned from Philadelphia where I had an opportunity to attend an amazing tactile tour at the Museum of American Revolution. This exhibit overall talks to anyone, anywhere from kids who just hear about the revolution for the first time, or someone who is involved with US history.
We toured the museum with the team from the Clovernook Center who did much of the tactile objects for the museum. Our tour was led by Meg Bowersox, but a self-guided tour is also available, more about it later.
Leave a CommentSometimes our accessible 3D design does more than accessible replicas. Recently we have rebuilt the Donoho hotel that was lost in a fire accident in 2025.

Over the last couple of years, Even Grounds has been working on a very rewarding project with the Clovernook Center for the Blind and Visually Impaired. We are creating 3D printed tactile objects for schools for the blind around to world to help the teaching of biology.
The way this program works is that they build relationships with schools for the blind from around the world, ship 3D printers and printing materials to them, together with 3D design files. This way, at a much lower cost than sending each piece individually, schools can print and distribute their materials locally.
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